Parallax (Blacker Mask), Jamin, 2014, acrylic spray paint on acrylic sheets, 80 x 160cm

Parallax (Blacker Mask), Jamin, 2014, acrylic spray paint on acrylic sheets, 80 x 160cm

This new work is on display in the exhibition Abstraction - A Group Show at Despard Gallery from 30 April till 19 May, 2014.
Smolt @ Spiegeltent, Jamin 2014

I have completed this large painting commission for Smolt's pop-up restaurant at 10 Days on the Island's Spiegeltent, Hobart Tasmania. Many thanks to Scott, Georgina and Kif for an awesome experience.
MR0 (Mona Roma Zero) Interior and exterior mural work, Jamin 2013

I have completed work on the MONA ROMA Zero (or MR0), the newly fitted out ferry run by the Roach Brothers for MONA. This ferry was also the original ferry to MONA before the MR1, a larger catamaran, was built. The interior design is once again by Georgina Freeman.

MR0 (Mona Roma Zero) Interior and exterior mural work, Jamin 2013 MR0 (Mona Roma Zero) Interior and exterior mural work, Jamin 2013 MR0 (Mona Roma Zero) Interior and exterior mural work, Jamin 2013 MR0 (Mona Roma Zero) Interior and exterior mural work, Jamin 2013
MR0 (Mona Roma Zero) Interior and exterior mural work, Jamin 2013 MR0 (Mona Roma Zero) Interior and exterior mural work, Jamin 2013 MR0 (Mona Roma Zero) Interior and exterior mural work, Jamin 2013 MR0 (Mona Roma Zero) Interior and exterior mural work, Jamin 2013
Jamin 'One Thing Begets Another' Solo Exhibition, Despard Gallery 2013

One Thing Begets Another



An exhibition in tandem by Jamin & Jacob Leary

Opens 6pm, Friday 16th August 2013
Exhibition runs 16.08.13 till 09.09.13

Despard Gallery
15 Castray Esplanade, Hobart, Tasmania | +61 3 6223 8266

Jamin, One Thing Begets Another (Camouflage), installation view, Despard Gallery, Hobart Jamin, One Thing Begets Another (Camouflage), installation view, Despard Gallery, Hobart Jamin, Campari-Pig-Wave, installation, synthetic spray paint on wall, Despard Gallery, Hobart Jamin, One Thing Begets Another (Camouflage), installation view, Despard Gallery, Hobart


Statement:

This exhibition is a series of work concerned with camouflage - in the sense of how one thing relates to another, rather than how one thing hides from another. Specifically, they mark a continuation of my ongoing interest in media processes, knowledge systems and power structures. The works evolve through an engagement with materiality: the plexiglass substrate mediates the subject and the ground whilst continuously occupying the territory of object just as the application of spray paint oscillates between transparency and impenetrability across areas of the screen. Masks have been employed in the creation of the work to continuously reveal and conceal areas of the substrate, an additive and subtractive force at play. These masks, or stencils, are matrices, semi-random in their creation and deployment. The framework for these matrices is one thing begets another, each cut line informing where the next occurs, and each layer arranging and colouring the next. These matrices operate individually and collectively, often intersecting to create new arrays of arbitrary quantities. Enmeshed within the matrices are elements of form and colour which occasionally coalesce into figures or symbols. These areas have been treated with paint in much the same manner as has the rest of the matrix.

The video work, Entropic-Extropic, mimics the methodology employed in the painted works via a different set of processes. Fine particles of paint, dust and detritus have been manipulated to coalesce and fragment according to my level of interest and surveillance.

The Death of David Walsh is a painting that has been created using a wire brush attached to a power drill. The areas of image have been subtracted from layers of flat paint by vigorously applying the abrasive tool to the reverse surface of the plexiglass. Each successive layer of paint concealed the previous layer in such a way that the forming image was continuously hidden from view - resulting in a painting that was painted, or un-painted, before it was seen in the manner that you are seeing it.

Jamin, 2013


Images of Works:

Jamin, Concealing Reveals Something, 2013, synthetic spray paint on front and back of acrylic, 100 x 100cm Jamin, Solutions Creating Problems, 2013, synthetic spray paint on front and back of acrylic, 100 x 100cm Jamin, Signification Cloaking Sign, 2013, synthetic spray paint on front and back of acrylic, 100 x 100cm Jamin, Self Mediating Simulacra, 2013, synthetic spray paint on front and back of acrylic, 100 x 100cm
Jamin,Razzle Breaching Dazzle, 2013, synthetic spray paint on front and back of acrylic, 100 x 100cm Jamin, Osama Becoming Ocean, 2013, synthetic spray paint on front and back of acrylic, 100 x 100cm Jamin, Misrepresentation Fielding Questions, 2013, synthetic spray paint on front and back of acrylic, 100 x 100cm Jamin, Mimicry Mimicking Mimesis, 2013, synthetic spray paint on front and back of acrylic, 100 x 100cm
Jamin, Figure Becoming Ground, 2013, synthetic spray paint on front and back of acrylic, 100 x 100cm Jamin, Self Mediating Other, 2013, synthetic spray paint on front and back of acrylic, 150 x 150cm Jamin, The Death of David Walsh, 2013, synthetic spray paint on acrylic, 150 x 150cm Jamin, The Death of David Walsh (detail), 2013, synthetic spray paint on acrylic, 150 x 150cm


Entropic Extropic, Jamin, 2013 (35 sec preview of 10min single / multi channel video installation)

Jamin_Entropic_Extropic
Vince's Paella Stands, MONA - Jamin 2013

MONA Sous Chef, Vince Trim, commissioned me to paint his concrete paella stands. The stands are used during festivals and functions to cook up copious amounts of Vince's famous (and delicious) paella.

Vince's Paella Stands, MONA, Jamin 2013 Vince's Paella Stands, MONA, Jamin 2013 Vince's Paella Stands, MONA, Jamin 2013 Vince's Paella Stands, MONA, Jamin 2013
<a href="http://jamin.com.au/media/1/MONA_ROMA_01.jpg" rel="lightbox[MONA ROMA]" title="Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013"><img src="http://www.jamin.com.au/nucleus/plugins/lightbox2/thumbnail.php?path=/home/jamincom/public_html/media/1/&amp;image=MONA_ROMA_01.jpg&amp;size=148" alt="Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013"  style="border:0px solid" /></a>

MONA ROMA 1 - Artwork by Jamin, Tom O'Hern & Rob O'Connor


Jamin, Tom O'Hern & Rob O'Connor were commissioned to paint the new MONA ferry, MONA ROMA 1. It was 6 nights of painting, drawing and working collaboratively on the walls, glass and toilet doors of the catamaran.
The ferry was commissioned by the Roche Brothers, built at Incat, with the exterior camo design by Damian Scott and the interior design by Georgina Freeman.

Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013 Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013 Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013 Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013
Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013 Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013 Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013 Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013
Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013 Artwork for MONA ROMA 1 by Jamin, Tom O'Hern & Rob O'Connor (Collaborative), 2013
I Want Change Flyer

I WANT CHANGE: Two Decades of Artistic Defiance, Disapproval and Dissent


Exhibition runs 20 February - 12 April, 2013

Curated by Michael Brennan

Artists: Michael Agzarian, Brook Andrew, boat-people.org, Bindi Cole, James Dodd, Fiona Foley, Jamin, Ash Keating, Deborah Kelly, Azlan McLennan, MEEK, Oliver Ressler & Zanny Begg, Van Rudd, Carl Scrase


"A shadowy figure sits cross-legged against a wall. Hands outstretched, he holds a placard above a beggar’s cup, scrawled with the text, “KEEP YOUR COINS, I WANT CHANGE.” MEEK’s iconic stencil, Begging for Change, sums up a sentiment that experienced a groundswell in contemporary art practice in Australia during the Howard era and has maintained an active presence to the current
day. The War on Terror, our treatment of refugees, the environment, gender and sexuality, Indigenous identity and the GFC have each figured prominently as political issues that have occupied artists and their practices over the past 15 years. I Want Change: Two Decades of Artistic Defiance, Disapproval and Dissent takes a snapshot of these issues and the often public, performative and socially engaging approaches embraced by artists to voice their protest, criticism and concern."
Mask Painting Mural for Ionata, Hobart

This large wall was commissioned by Ionata in Hobart for their rooftop lunch area. A very fun commission for a bunch of great people.
jamin_carpark_streetart_1.jpg

Empty site, Campbell Street Carpark, Hobart, 2012 Work in progress, Campbell Street Carpark, Hobart, 2012 Street Art, Campbell Street Carpark, Hobart, 2012 Street Art, Campbell Street Carpark, Hobart, 2012

This large scale street art work was created in October 2012, next to the Theatre Royal on Campbell Street in Hobart. The work was commissioned by MyState, as both a permanent art work as well as an accompaniment to Polygot's 'We Built This City' which happened on this site on the 10-11th of November, 2012.

This was a fun series of works to paint, as I was working with spray paint 'free hand' but going for a 'stencil' aesthetic, or look. I had complete creative control over the project, and chose to represent the denizens of the city: humans and their not-so-domesticated companions.
'Intersection', Jamin, 2012, enamel spray paint and oil acrylic paint on aluminium, 1.2m x 7.2m

A recent commission for an amazing couple in Hobart. It was a great pleasure, and at times a great challenge, to make this work. The scale is quite large and the dimensions certainly not standard! This work is a culmination of a few different styles I have been dabbling in over the years; it is mostly freehand spray paint, with some areas done with acrylic paint. Thanks for the opportunity to create this.
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